The military camptown in South Korea is a legacy of colonialism and a symbol of national insecurity in Korean history. From September 1945, when US troops arrived on the Korean peninsula for a transfer of power from the Japanese colonial empire, until the present day, the presence of American soldiers and military bases has been a familiar feature of Korean society. The purpose of this article is to trace the history of the US military camptown in Korea, adding the intersection of hidden stories of women’s experiences. Based on an analysis of life stories of 14 former prostitutes and other primary and secondary sources, this article explores the ways in which the Korean government cooperated with US (military) interests in the systematic construction and maintenance of a system of camptown prostitution in the period from 1950 to 1980, with changes in policy from tacit permission to permissive promotion and then active support. During this process, women in camptowns experienced absurd, unjust and contradictory sociopolitical changes relating to international relations and national policies, as well as community attitudes toward and treatment of them in their vulnerable state. However, these women were neither absolute sexual objects nor helpless victims. Women in camptowns managed to carve out spaces for themselves and change their material conditions, cultural identities, and even their legal status, demonstrating their struggle for survival. In this way, women in camptowns represent a symbol of transgression against both androcentric Korean society and ethnocentric nationalism.
Camila Pastor De Maria Campos. “Performers or Prostitutes?: Artistes during the French Mandate over Syria and Lebanon, 1921–1946”. Journal of Middle East Women’s Studies, Volume 13, Number 2, July 2017, pp. 287-311.
Analyzing memoirs from the Arab diaspora and Mashriq, colonial archives, interviews, League of Nations reports, and mandate legal literature, this article tracks the circulation and regulation of mobile women engaging in performance and sex work in French Mandate Syria and Lebanon (1921–46). The French metropolitan system of regulated prostitution was imported yet transformed in the mandate region as women performers were sorted into legitimate, if morally suspect, foreign artistes and autochthonous performers defined as prostitutes by decrees and codes. Regional and transnational mobility and the institutionalization of borders by colonial administrations destabilized their own distinctions between foreign and autochthonous, however. Women used these contradictions, overlapping legal frameworks, and artistry to continue to work and limit the extraction of their resources by a variety of institutional actors who nevertheless expected sexual and entertainment services to be afforded to foreign and local men.
Kimberly Kay Hoang, “Competing Technologies of Embodiment: Pan-Asian Modernity and Third World Dependency in Vietnam’s Contemporary Sex Industry”. Gender & Society, Vol 28, Issue 4, pp. 513-536 (2014).
This article illustrates how the circulation of capital and culture in Asia produces divergent embodied gendered ideals of national belonging through the case of Vietnam’s global sex industry. Introducing the concept of competing technologies of embodiment, I show how sex workers’ surgical and cosmetic bodily projects represent different perceptions of an emerging nation’s divergent trajectories in the global economy. In a high-end niche market that caters to local elite Vietnamese businessmen, sex workers project a new pan-Asian modernity highlighting emergent Asian ideals of beauty in a project of progress that signals the rise of Asia. Women who cater to Western men, in contrast, embody Third World dependency, portraying Vietnam as a poverty-stricken country in need of Western charity. By comparing multiple markets, I illustrate how individual agents in the developing world actively reimagine their nation’s place in the global economy through their embodied practices.