Hannem, S. and Tigchelaar, A. (2016), Doing It in Public: Dilemmas of Images, Voice, and Constructing Publics in Public Sociology on Sex Work. Symbolic Interaction, 39: 634–653. doi:10.1002/symb.260
This study describes the use of traditional public sociology as a method of recruitment for organic public sociology research with sex workers. Drawing on their grounded research experience, the authors discuss the issues of representation and framing of the research that arise when engaging in public research with multiple stakeholder publics. Specifically, professional publics may act as gatekeepers to subaltern groups and publicly engaged research risks reproducing existing power inequities and marginalization. However, traditional public sociology can be a tool to engage with subaltern groups and to construct a public where one did not exist; here we examine the complexities, the possibilities, and pitfalls of constructing publics.
A large-scale study of working conditions in UK-based strip dancing clubs reveals that dancers are against de facto self-employment as it is defined and practised by management, but in favour of de jure self-employment that ensures sufficient levels of autonomy and control in the workplace. While dancers could potentially seek ‘worker’ or ‘employee’ status within the existing legal framework, their strong identification with the label ‘self-employed’ and their desire for autonomy will likely inhibit these labour rights claims. We propose an alternative avenue for improving dancers’ working conditions, whereby self-employed dancers articulate their grievances as a demand for decent work, pursued through licensing agreements between clubs and local authorities and facilitated by collective organization.
The Student Sex Work Project was set up in 2012 in the United Kingdom (UK) to locate students who are involved in the sex industry, to discover their motivations and needs, and in doing so provide an evidence base to consider the development of policy and practice within Higher Education. As part of this initiative, a large survey was undertaken comprising students from throughout the UK. Reporting on the findings from this survey, the article sheds some light on what occupations students take up in the sex industry, what motivates their participation and how they experience the work. The study also offers a much-needed empirical input to the ongoing academic debates on the nature of sex work. The results suggest that there can be little doubt of a student presence within the sex industry in the UK. The motivations and experiences of student sex workers cover elements of agency and choice as well as of force and exploitation and it is suggested that student sex work is best understood from a polymorphous framework which leaves room for a wide variety of experiences and challenges.
The 1889 “Cleveland Street Scandal” in London, which exposed a male brothel offering telegraph boys to elite men for sexual services, has long been recognized and evaluated as a window into late Victorian homoerotic subcultures and regulatory legislation. By focusing on the telegraph boys’ contribution to the scandal, particularly their roles as information service providers in relation to the broader ideologies associated with telecommunications work in this period, the scandal takes on new meanings for queer history. It reveals the relationship between queer urban encounters and the growth of clandestine communications surveillance in Britain and opens up possibilities for re-prioritizing service labor in historical accounts of queer interactions and subjectivities.
Hamish Stewart. The Constitutionality of the New Sex Work Law, Alberta Law Review (ALR) 54(1):69-88.
In this article, the author considers the constitutionality of Canada’s new law on prostitution: Bill C-36. When the new sex work law was first introduced into Parliament, a number of advocacy groups and commentators argued that it was unconstitutional because of its failure to respond to the concerns raised in Bedford v. Canada, a case where the Supreme Court of Canada struck down the old sex work law on the ground that its negative impact on sex workers’ security of the person outweighed its nuisance abatement objective. This author agrees that Bill C-36 may be unconstitutional, but for a different reason. The new sex work law adheres to the constitutional norms invoked in Bedford by making use of two novel policy objectives: discouraging sex work and reducing the danger of sex work to sex workers. In practice, however, these objectives are likely to conflict with one another. As a result, Bill C-36 is an incoherent piece of legislation that may be unconstitutional for creating arbitrary and grossly disproportionate effects on the security of the person of sex workers.
This article examines the vicissitudes that affect the migration trajectories of many Nigerian women who experienced trafficking before arriving in Italy, and end up in Centers for Identification and Expulsion (CIE) for undocumented migrants. Their life stories, collected within the CIE of Ponte Galeria (Rome), revealed violence as “a rule of action” with which these women are obliged to cope with at different levels. Moreover, they highlighted the failure of traditional security approaches to human trafficking, and the necessity to rethink the measures adopted to ensure survivors’ protection and rights. As it is conceived, the system of immigration control prevents the full guarantee of survivors’ rights, often labelling them as “illegal migrants”. Finally, there is the need to extend protection to all survivors of human trafficking even if the crime against them has not happened in Italy.
Most studies of media focus on production, representation, or audience. Using rhetorical analysis and ethnographic field methods, my article offers one way to study media production contexts, representations, and audience interactions in relation to one another. For this project, I conducted a narrative rhetorical analysis of the reality docu-series Cathouse that takes place in a legal brothel in Nevada, the Moonlite Bunny Ranch. In addition, I visited the brothel and used ethnographic field methods of participant observation and interviewing to investigate the lived experiences of the women working at the Ranch. My analysis revealed a web of intertextual discourses of prostitution that I could not have accessed had I not used these methods in conjunction with one another. By bringing perspectives from rhetorical inquiry, cultural and media studies, and ethnography into conversation with one another, I provide a framework for analyzing production, representation, and audience for the Cathouse series, while attending to both the content of the women’s stories and how these participants rhetorically constructed and performed their identities. Finally, my analysis offers insights into ethnographic and textual “crises of representation” in relation to the concept of “rhetorical authenticity” in media representations, the relationships between audience members, production, and representation in reality television, and material impacts for the women who work at the Moonlite Bunny Ranch that I could not have accessed without using these methods together.